V–A–C Sreda online magazine continues its three-month programme dedicated to memory and its relationship to history, archives, and nostalgia.
In this episode, we explore surrealism in theatre and cinema. Which directors worked in this mode? Why are dreams sometimes more precise than any documentary record? Where did the experimental spirit of Soviet animation come from? And how does the theme of memory unfold in contemporary performance practices?
V–A–C Sreda editor Maxim Shibaev considers these and other questions alongside KARO/ART programme curators Anton Kupriyanov and Ekaterina Zhutautaite.