Futurospective: method, group, Vertov

What is a futurospective and what relevance does Dziga Vertov have for today? How do Vertov’s audiovisual experiments at the intersection of poetry, research, technology and captured reality, as well as the concept of a ‘participatory camera’, manifest themselves in contemporary documentary cinema? Film scholar and cinema historian Nikolay Izvolov, film critic and Artdocfest programme director Victoria Belopolskaya, and V–A–C film programme curator Kirill Adibekov discuss Cine-Eye, film hypothesis, and creative documentary.

This episode is in Russian.

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